Ratha Jatra is celebrated every year
on Ashadha Shukla Paksha Dwitiya (second day in bright fortnight of Ashadha month).
This grand festival that began in the Shree Jagannath Temple, Puri, Odisha, is
now very famous and celebrated all over the world. But, many are yet to be aware of the celebration of the days following the pulling of the chariots to Gundicha Temple on Ratha Jatra.
On Ratha Jatra, Lord
Jagannath leaves the Shree Jagannath Temple and goes for a nine-day-sojourn
with His siblings, Lord Balabhadra & Devi Subhadra, to their birth place at Gundicha temple, located 2.8 kms away. Lord Jagannath does not take His
wife, Goddess Lakshmi along with Him when He goes with His brother and sister for
the Ratha Jatra.
Text by Dash Benhur; Art by Tapan Moharana |
As Ratha Jatra
separates Goddess Lakshmi from Lord Jagannath, She awaits His return to the
Srimandira.
Missing
the Lord, She goes to see Him on the fifth day of the Ratha Jatra.
This day is called Hera Panchami.
Hera Panchami is a unique ritual
associated with the Ratha Jatra car festival of Puri.
‘Hera’ means to ‘see’ and
‘Panchami’ means the ‘fifth day’. Hera Panchami ritual is performed on the
Ashadha Shukla Shashthi tithi. It has references in Bamadeba Samhita and Jatra
Bhagabata.
As four nights pass and Goddess Lakshmi wants Her
Husband to come back, being concerned, She takes the advice of Goddess Bimala.
Goddess Bimala gives Goddess Lakshmi ‘Mohana Churna’ (a powder with hypnotic qualities to
attract husband) for Lord Jagannath’s early return to Srimandira.
Goddess Lakshmi decides
to visit Lord Jagannath in Gundicha temple where He is there with His brother
& sister. She gets ready for her visit with karpura-chandana-mohana-churna to ensure Lord
Jagannath returns soon.
In the evening, the
representative idol of Goddess Lakshmi (a golden idol of Goddess Sridebi
representing Goddess Lakshmi) is carried to the Gundicha temple in a bimana
(decorated palanquin) with great pomp and show in a procession via Bada Danda
(the Grand Road) of Puri. Her bimana is carried by Bimanabadu Sebakas (servitors)
on their shoulders. The procession includes colourful Pipli Applique Work
umbrellas, fans etc. and other items used in the temple processions. Earlier, the
debadasis used to accompany and sing the Hera Panchami song, expressing Goddess
Lakshmi's anger. Now, traditional bugle lends
the music.
After reaching the Gundicha temple, the procession makes a halt near the Nandighosha Ratha, the chariot of Lord Jagannath.
There, Goddess Lakshmi is welcomed with ceremonial ‘bandapana’ (puja) and offerings by the Pati Mahapatra sebaka.
Goddess Lakshmi enters the Gundicha temple during sandhya
dhupa (offering of bhoga). Near the Jaya Bijaya Dwara of the
Gundicha temple, She uses the ‘Mohana Churna’ (given by Goddess Bimala).
On
behalf of Lord Jagannath, the Pati Mahapatra sebaka offers an ‘Agyan Mala’ (a
garland of consent) to Goddess Lakshmi. He takes a garland from Lord
Jagannath’s idol and places it on Goddess Lakshmi’s idol giving the message
that the Lord will return soon.
For the sandhya dhupa ceremony, a strip of cloth called
‘tera’ is tied outside the deities, veiling their faces from sight. Due to evening rituals of the
deities, the door is closed. Goddess Lakshmi feels neglected and angry.
She comes out of
the Gundicha temple through the Naka Chana Dwara where Bhitarachha Mahapatra
sebaka performs ‘bandapana’ and worships Her by offering curd and other
offerings. Outside the Gundicha temple, She again comes in front of Lord
Jagannath’s chariot that is parked there.
Being jealous and angry of Her husband’s enjoyment with His siblings, and to teach Him a lesson for ignoring Her, She asks Her servitors to break a part of the Nandighosha Ratha. A small part is symbolically broken and a little damage is caused to the chariot of Lord Jagannath to demonstrate Goddess Lakshmi’s ire on the Lord.
Being jealous and angry of Her husband’s enjoyment with His siblings, and to teach Him a lesson for ignoring Her, She asks Her servitors to break a part of the Nandighosha Ratha. A small part is symbolically broken and a little damage is caused to the chariot of Lord Jagannath to demonstrate Goddess Lakshmi’s ire on the Lord.
As the Goddess feels guilty of breaking a part of
Nandighosha, She returns to Srimandira without any procession and fanfare. She
takes a different and secret route via a lane called the Hera Gouri Sahi of Puri. This ritual is witnessed by a large number of
devotees.
As
per some scholars, ‘Ratha Chakada’ pothi/scripture states that such ceremonial
Hera Panchami ritual celebration was introduced by the King Kapilendra Deb, who
introduced a golden idol of Goddess Sridebi representing Goddess Lakshmi.
Earlier, Hera Panchami ritual was being observed in a symbolic manner with
chanting of mantras.
Text by Dash Benhur; Art by Tapan Moharana |
On the day after the Hera Panchami ritual, all the
three chariots are turned to face the South, thereby getting prepared for the
return journey. After their 9-days outing, Bahuda Jatra marks the return of the
deities to the Temple. After the Suna
Besha and Adhara Pana, the concluding day of the Ratha Jatra is Niladri Bije
when the deities enter the Srimandira.
Goddess Lakshmi, who is still sulking and angry, does not open the gate of the Srimandira
for Lord Jagannath. On Niladri
Bije, Lord Jagannath offers Rasagola as a sweet present to Goddess
Lakshmi to earn Her favour and to regain entry.
These continuing traditions and centuries-old rituals of Srimandira show that even the Lord of the Universe has to be the target of His wife's anger- angry Goddess Lakshmi on Hera Panchami!
- Hera Panchami is on July 8 this year (2019). Niladri Bije i.e. #RasagolaDibasa is on July 15th.
Very informative post 👍 Thanks for sharing 🙂 Anita
ReplyDeleteGreat to read.
ReplyDeleteGreetings _()_
An interesting post probing the story behind the rituals of Hera Panchamai and Niladri Bije.
ReplyDeleteJai Jagannath.
Wow thanks for sharing this. Very simple and informative.
ReplyDeleteThanks for sharing , great article 🙏🙏
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